Everyone knows there’s only one place in South Walk to get a grilled cheese, and it’s Dino’s. This is beyond question.

Time and again, fast-food cheeseries like Melteez or Cheese Palace have tried to gain a foothold in South Walk. Every year or two, you’ll see an ambitious uptowner in a fancy suit wandering the Walk’s dingy alleyways, his eager eyes scanning for a future home for the franchise so temptingly teased in the documents he clutches. The people, he’ll convince himself, want something classier. He’ll think in phrases like “uptown grilled cheese at a downtown pricepoint” and “family dining experience”. The really oblivious ones will even start construction.

But they will fail. They all fail, because nothing can beat Dino’s grilled cheese.

The only sign for Dino’s is a screen-printed cling on the front door. You’d miss it if you didn’t know where you were going, but, of course, everyone knows where Dino’s is. It’s said that South Walk babies settle for mama’s milk only until their legs can take them to Dino’s door. The lettering is blocky and unprofessional and starting to peel in some spots, but it serves its purpose, marking the portal to the stuffy dining room and the best melts you’ll ever taste.

“Meltz the Way You Want ‘Em”—that’s the Melteez slogan. Step up to the counter and you’ll be faced with a staggering list of options, and if the chipper, cap-wearing youth behind the counter sees you squinting at the menu, they’ll immediately recite them for you: classic American, Monterey, Pepper Jack, Provolone, Havarti, Cheddar, Mozzarella, Dubliner, Brie, Blue, Feta, Chevre, Gruyere, Cream, Camembert, and Spray, and that’s not including the seasonal specials. It’s all imitation, of course, since no franchise is going to waste its money on actual dairy when there’s a shortage. There’s always a shortage.

Then, once you’ve selected a cheese, it’s on to Round Two: deciding what to wrap it in. Your choices, as the youth will declare—a flicker of pained exasperation behind their bright eyes–are white, wheat, rye, pumpernickel, sourdough, seven-grain, eight-grain, buttermilk biscuit, New York bagel, Montreal bagel, pita, naan, tortilla (corn or flour), flatbread, noodle buns, rice buns, and, for the guests with dietary needs, lettuce leaves. Melteez corporate is reportedly still trying to devise a way to keep disheartened guests from walking out the door at first sight of the options.

At Dino’s, there’s one item on the menu: grilled cheese. He makes it with buttermilk bread and real cheddar cheese—shredded, not sliced, so it melts better. You tell Dino’s nephew behind the register how many you want, and Dino expertly grabs exactly enough slices of bread, dresses them each with cheese and a shake of his seasoning mix, and in one swift move—fwip fwip fwip—spreads butter, real butter, on them all before dropping them on the hot grill. Three minutes later, the bell rings, Dino’s booming voice shouts, “ORDER UP!” over the kitchen’s sizzle, and Bennie hands you your tray.

It’s prompt. Unpretentious. Polite in the economical, just-enough, keep-your-distance way. And when you bite into that sandwich, you immediately understand why, for all its 288 bread and artificial cheese combinations, Melteez will never hold a candle to Dino’s.

The butter, rich and indulgent, hits you first, setting a silky stage for the act to follow. Crispy toast crackles as your teeth pierce the bread. The inside is still soft and spongy, and it tastes sweet, with the slightest hint of tartness to keep it from cloying. Your jaws, still closing, hit the hot cheese, which oozes most satisfyingly onto your tongue, and as soon as the tang of cheddar—real cheddar, shortages be damned—meets your palate, Dino’s secret blend of seasonings appears as well, an aromatic glitter wrapped in fat and dairy.

It is, quite simply, heaven. And so is the next bite, and the next, until your sandwiches are gone and you recline, spent, basking in a sort of hazy afterglow.

Doesn’t matter that in the blistering South Walk summer, Dino’s only relief is a rattling box fan and green plastic glasses of ice water. Doesn’t matter that Bennie only remembers to wipe down the crumb-covered linoleum tables once or twice a day. Nowhere in the city—hell, nowhere in the world—can beat Dino’s for grilled cheese, and you can take that to your grave.

Cover of the May 2013 issue of the Whitman Quarterlife magazine

i.
I’ve been meaning to ask:

You see this elephant too, right?

But every time I stick my neck out
and peer around his boulderous bulk,
you’re looking back at me.

It seems a shame to ruin the moment
by talking about elephants.

 

ii.

In third grade,
Sterling Miller flipped a penny 30 times
and got 30 heads,
I watched it.

I’ve never believed in God, but I know He plays dice,
that every moment is another spin of the slot machine,
and that there are no miracles,
only statistically significant improbabilities.

I’ve spent so long listening to the sermons
of the statisticians, the scientists, and the skeptics
that I never attribute to intention
what has a chance of being chance.

Are you really looking for me?

Do you actually see this elephant too?

Or does the penny just keep coming up heads?

 

iii.

The butterfly you pin to the board is lifeless.
You kill the cat by opening the box.
Merely by observing,
we change the outcome.

I’ve been meaning to ask:

You see this elephant too, right?

But maybe there’s no elephant at all,
maybe these legs are tree trunks,
this tail, a rope,
the trunk, a snake.

I don’t ask if you see the elephant,
because what does it mean

if you don’t?


Published in quarterlife, vol. 7, iss. 4: the troll issue (Whitman College, May 2013). Cover image by Bo Erickson, used with permission. Thanks, Bo!

(Yeah, I got my poetry published!)

Sleep, and dream a troubled dream. Intruders on the property, invisible in the darkness. Sour waves of ill intent ignite the adrenalin powder keg, and you have panic. Call for help, but how do you say it? You’re no longer safe. There is no safety. Your world, your order, your chaos, they crumble; and you have no safety.

Wake, blink it from your mind, and cautiously edge your way back to sleep, ensuring yourself you won’t dream it again.


It’s Day One of a one-and-a-half day-long trip. They’re out of town, looking for a future house. Back tomorrow, of course, but today’s the boys’ day. Dinner comes, a little less gourmet than expected, but it cures hunger. A shower, finish your homework, and dry some dishes, then go upstairs to draw. Cathedral halls in pencil claim the virginity of a new sketchbook, quickly sketched with the illusion of detail.

A sharp crack on the window not three feet from your head scatters your thoughts. What was that? Freak sound of the window, perhaps, or the weather. Before you can relish that calming concept, another sharp crack, the gristly sound of stone on window, at once impacting and scraping and knocking. A third, and now there’s no doubt: someone is throwing stones.

Holler to your brother downstairs, even though you know he’s on the computer: “Are you throwing rocks?” No, of course not, so race downstairs.

Pull the blinds across the glass door before you realize that you’re standing in full view of all three facets of the bay window. Rocks came from the backyard. The bay window faces the backyard. Don’t look out; you might see a face. Oh, god, there’s someone out there.

Brother walks in from computer room, catching the panic. The dog is barking. They could kill the dog. Why isn’t he doing anything? They could be watching you. Do you tell brother to hide upstairs? They can’t reach upstairs unless they enter the house. God, they can’t enter the house.

They’re out of town. Call them for advice? Call for help? You should probably get low to the ground, that way, they can’t see you. You’re in the worst possible point in the house to hide. They can see you. What are they going to do?

Then a warm guitar chord is strummed, and your fears begin, slowly, to melt.

Oh.

Friends.

Archives

Most certainly influenced by the Decemberists’ “The Island”. And Lemony Snicket’s The End. And my recent surge in fascination with pirates. I blame this on all of them.

Somewhere, in the middle of a black ocean under a black sky, an island slept, the sands of its shallow shores gently caressed by the unceasing tides. Above, in shadowy heavens, the stark face of the moon cast a pale luminescence upon the beach. The waves swept the sands with soft hushes. The breath of the light tropical breeze quietly rustled the leaves of the palms. An air of serenity laid over the island, as if it had never known disturbance and never would.

There were no people on the island. There had been before, however; castaways were no strangers to its shores. Some of them had managed to survive, leaving nothing but footprints on the isle. Others left much more, never seeing their families or homes again. Many had gone mad and killed themselves, either by the noose, by diving off the cliff, or, if they had been lucky, with a pistol. In the end, their remembrances quickly vanished, consumed by natural forces– footprints blew away and corpses were claimed by the earth.

The empty island slumbered. The many exotic birds that lived in the jungle dozed on their perches, their heads tucked into their wings. Sleep caught the few mammals that lived on the island, quietly pulling them into its grasp. Another breeze stirred the palm trees, shaded black with night’s brush. The waves rolled in, splashing the shore. The waves receded, leaving pinpoints of seawater glistening in the moonlight. The waves rolled in, and placed upon the beach a large wooden chest, along with the unconscious man clinging desperately to it.